Labor, and Land Financialization via the Globalized Free Zone Studio. 
1. Use Karl Schoonover and Rosalind Galts The Queer Popular: Genre and Perverse Economies of Scale to analyze Veneno (HBO Max).  
2. Use Anamik Sahas “˜Diversity in Media and Cultural policy” and “The Racialisation of the Cultural Commodity” to analyze McKinseys Black Representation in Film and TV: The Challenges and Impact of Increasing Diversity. 
3. Use Aynne Kokass Policy and Superheroes: China and Hollywood in Sino-US Relations to analyze the Chinese blockbuster Wolf Warrior 2 (Amazon Prime). 
4. Use 2 of the following readings on media development: 
· Seyram Avle, Situating Ghanas New Media Industry: Liberalization and Transnational Entrepreneurship 
· Alessandro Jedlowski, Chinese Television in Africa 
· Godwin Iretomiwa Simon, Adapting to Context: Creative Strategies of Video Streaming Services in Nigeria 
· D©bora P³voa and Stijn Reijnders, A Brazilian Hollywood in the Making? Film, Tourism and Creative City Discourse in the Hinterland of Para­ba.
Compare and contrast two of the above perspectives on media development with Kay Dickinsons ˜Make It What You Want It to Be: Logistics,